2/01/2015 — 31/01/2015
Kevin Hunt: Out of Sight         
With Park Community Academy
and Mereside Primary School
17/01/2015 — 14/03/2015
Ian Whittlesea
Breath is Life
2/02/2015 — 21/02/2015
Showzam Showroom Schools Show
6/03/2015 — 11/04/2015
Pre-Pop to Post-human
Collage in the digital age
6/03/2015 — 11/04/2015
A Century of Works Purchased
with the Contemporary Art
21/03/2015 — 6/04/2015
Rock & Pop: New Prints from the
Rock Factory
24/04/2015 — 13/06/2015
Modern History vol.1
Curated by Lynda Morris
25/04/2015 — 20/06/2015
Lisa Wigham
The Earth Murmurs While We
4/07/2015 — 22/08/2015
Jennet Thomas
The Unspeakable Freedom Device
11/09/2015 — 8/11/2015
Grundy Light Exhibition 2015
Sensory Systems
31/10/2015 — 31/10/2015
the Lite Pool Dadaists Part 1, 2015
An artour (sic) devised by
Mike Chavez-Dawson & Co*
28/11/2015 — 30/01/2016
Ben Cain

Contemporary artist Ben Cain was commissioned by Grundy Art Gallery and Rose Lejeune for "Collecting the Ephemeral" to make a substantial new body of work for a solo exhibition which responds to permanent works housed in the gallery's collection.

Selecting sixteen paintings and drawings from the collection, Cain has worked with locally-based artists and craftspeople to have objects from within those artworks fabricated and introduced into the gallery as new sculptures alongside the original images. In this way, a vase in a painting is rendered into three-dimensional porcelain by a potter, or an amber necklace worn by a sitter in the original work is fashioned into being by a professional bead maker.

Companions continues Cain’s long-running investigations into the themes of material, labour, and artistic production. The exhibition is inspired by the Grundy collection itself, which is made up of an eclectic mix of items from paintings to jewelry to ornaments and furniture accumulated over the years, frequently with little known provenance. The commission responds to the character of a museum collection as a group of objects housed in one place over the course of time, offering a way to move between the image’s content, the context within which they were made and the present and future moments of their viewing.

Companions opens a year of programming at the Grundy exploring its collection, and follows recent shows involving contemporary artists responding or exhibiting alongside it, including Leo Fitzmaurice: Horizon Line (2011), and the group exhibition Haunted House (2014) including Olivier Castel, Martin Creed, Susan Philipsz and Susan Hiller amongst others.

Companions was guest curated by Rose Lejeune. The exhibition forms the second in a series of commissions titled Collecting the Ephemeral commissioned by Lejeune. Collecting the Ephemeral looks at offering new ways of collecting works by artists whose practice sits outside of traditionally ‘collectable’ media and instead allows collecting to extend across the whole spectrum of artistic making, with a focus on ephemeral, performative and context-specific work.

Companions was made possible with the skills and knowledge of several local artists and crafts people who ‘remade’ the objects selected from paintings and drawings in the Grundy collection: Dylan Cross (ceramics and porcelain), John Kingston (wood and metal work), Kieran Leach (plaster), Pascal Nichols (ceramics) Simon Nixon (paintings), Mike Poole (beads) and Charlie from Hot Glass in St Helens for all of the glass work.


Ben Cain is represented by Supplement Gallery, London.



Still Life Workshop
Companions also includes a still life workshop for adults and families to create and make artworks from still lives they set up themselves on the stage in the centre of the room. The results can also be exhibited on the stage, themselves becoming part of the still life scene for the next visitors to create from. The still life workshop is open daily and is self-directed.

5/12/2015 — 5/03/2016
Civic Photography

Civic Photography brings together seven Blackpool and Fylde-based photographers, assembling a collective portrait of the town from residents and artists who live and work here.

The exhibition considers what it means to take 'civically-minded', or 'community-minded' photography. Some of the images relate specifically to social concerns and enterprises, such as Karl Child, who has sought to document blindness and its relationship to communities and the townscape, and Terry Hughes who is on permanent parole but who, with the mentorship of photographer Len Grant and under the auspices of Jobs, Friends and Houses, has spent a year developing a body of photographic work documenting a changing way of seeing.

Photographers: Linzi Cason, Karl Child, Claire Griffiths, Terry Hughes, Dawn Mander, Joseph Pegler and Jill Reidy